But inside myself, I was super emotional. I was always rational with my friends, my neighbors, and my mom, telling them what they had to do to be safe. And since we have lost our capital city, we have to kiss goodbye many things that were taken for granted, like democracy, like our nation as we knew it. ![]() I was not ready to give up, but I was starting to understand that we had lost our lives. Everybody was fleeing, and the city was blocked by traffic jams. The lives of millions of people were changing in a bad way. And the next step probably would have been another airborne force landing inside the city or south of the city to another airfield. Their mission was to seize this airfield and use it as the landing ground for more and more planes coming in. That was a symbolic image of how close we were to downfall. We saw Russian helicopters trying to land. They were fighting in the streets of Kyiv. Russian troops were trying to break into the district of north of Kyiv. The most emotional period was the first two or three days after the February 24 invasion. If you are willing, can you share some low and high moments? You’ve been reporting from the front lines since the late-February invasion. In this condensed and edited interview, I talk with Ponomarenko about the Ukrainian concept of “reasonable carelessness,” service journalism, and hope for Ukraine. Today, five months after he was fired, Ponomarenko is working around the clock for the Kyiv Independent “telling the world about this war as a service to humankind.” And indeed, the world is listening to this self-described “village guy from Donbas in a crusade for something better.” Today, 1.1 million people follow Ponomarenko on Twitter. World citizens searching for on-the-ground, English-language news of the invasion found the Kyiv Independent-a journalist-owned publication that, by its own account, serves “its readers and community, and nobody else” and one that “won’t be dependent on a rich owner or oligarch.” Just months later, Russian President Vladimir Putin launched a brutal war against Ukraine. From its start, the Kyiv Independent has relied on small donations-the price of a weekly cup of coffee, for example-from subscribers and readers by way of Patreon and a GoFundMe campaign. You can work here for free,” Ponomarenko told the Bulletin. Also, staff at a network of co-working spaces in Kyiv said, “Guys, you do a good job. Then, several lawyers offered pro bono services. When word about the fledgling news startup got out around Kyiv, an information technology company helped the journalists build a website for free. Several Kyiv Post reporters issued a statement that Kivan had sought to compromise their editorial independence and that their dismissal was an attempt to purge “inconvenient, fair, and honest journalists.” Those reporters, including Ponomarenko, decided to start their own newspaper, which they named the Kyiv Independent. The owner, Adnan Kivan, had shut down the paper with little warning and no explanation, surprising even President Volodymyr Zelensky, according to a Radio Free Europe report. ![]() 7/10.In November 2021, Illia Ponomarenko, a Ukrainian defense reporter, was fired from his job at the Kyiv Post-the country’s then-largest and oldest independent English-language newspaper. It isn't particularly complex or challenging, but it's entertaining enough. Overall, the experience is charming, friendly and fun. Still, it's a fun enough segment in and of itself. One of the game's main flaws is that its third act takes a bit of an odd turn, transforming the title into something it doesn't quite seem interested in being. Its narrative isn't exactly deep, but it's well-told and has some solid messages at its core. Each of its stages has, essentially, something new to offer and its pacing is on point throughout. ![]() It's basic but enjoyable, able to appeal to gamers of any age. The gameplay itself revolves around simple, semi-open world platforming and some rudimentary puzzles involving different types of customisable creature you bring to life with your paintbrush. Instead, you're allowed to let your creativity roam free as you progress through the game's various locations. There is a bit of conflict in the title, the details of which I won't spoil here, but it isn't too intense and there's never a focus on violence. Its focus, for the most part, is on creation instead of destruction, which is (sadly) actually quite rare for a video-game. It's a short but sweet experience, clocking in at around five or six hours in total, What it lacks in length it makes up for in charm, though. It puts you in the shoes of a shy young artist who comes across a magic paintbrush that brings his creations to life and has the ability to clear the strange darkness that is slowly enveloping his rundown town. 'Concrete Genie (2019)' is a simple but satisfying game about the uplifting power of art.
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